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Overdue Update Time!

14 Nov

Business Update!

WELP if you have not yet gotten your copy of SUPERPOW, I highly recommend it for obvious reasons!

 

Superpow cover by Astro

Check it out. *narrowly avoids an urge to capslock the shit out of that*

ALSO, there are some really fabulous interviews with Superpow Authors at Milo James Fowler’s blog of awesome right now:

Alan Baxter talks “Autumn of the Greatest”

Louise Bohmer talks “Unsuper Translator”

William Vitka talks “Bruiser”

You can click the book cover above to find out where to get your copy, but there will be more retailers coming soon–and a print run, yay!

Personal Update!

Productivity was doing all right there, but has come to a bit of a halt again–mainly because it’s physically difficult for me to write more than a paragraph at a time, and that is a really, really difficult way to write and/or edit, sad to say. I’ve had back problems for some time now, but it’s gotten to the point where–uh, not to go into gross details, but my spine is getting jacked by some of my discs and I can’t really use my arms as well as I could a few months ago, even. SO THERE’S THAT. I’m working on a solution, obviously, with docs and stuff, but that’s the short version of what has been a very painful and INCREDIBLY FUCKING FRUSTRATING saga. So if you don’t see me around as much and notice a drop in what was looking like a reboot in productivity from me… yeah. My spine has decided otherwise.

FOR NOW.

Superpow!

15 Sep

Superpow time! What is it? Check this out…

Superpow cover by Astro

Cover by Astro, Layout by Amanda Pillar

 

Yeah, so, The Red Penny Papers is back with a bang, I mean to say. Our first ever anthology–eBook and print–is on its way October 27, and it’s all about superpowers. What better pulp fodder was ever created? None. None better, that’s what.

Superpow contains eleven new superpowered stories: novellas, shorts, and even our very first poetry (which I’m in love with, ngl). It’s been a labor of love for me and definitely for the authors, who are all fabulous RPP alums of note.  The first cover hero is Corinne Duyvis’s Pantheress, from “The Masks of Sigma City”–a gorgeous imagining of a rogue hero negotiating her way through a tense mystery, and her own identity, with the help and hindrance of some other masks. Behind her is William Vitka’s bruiser, Rubin, who was working underground when the meteor hit and gave everyone in his world powers. Nothing’s ever been handed to him easy, and it’s even worse now he’s fresh out of prison–but he’s willing to fight for it. Good thing, cuz he’ll have to.

These are just two of the amazing heroes, villains, and strange worlds in Superpow. A girl with galaxies in her eyes, superspeed poetry, a useless translator, a washed up villain, otherworldly siblings, a painter with a talent well beyond the canvas, and… well, Leather Boy. I’ll let that one be a surprise. He’s fabulous, though, I promise.

For more info and the stunning table of contents, check out the post over here at RPP, and its perma-page, which will be updated regularly as new info becomes available.

Superpowwww~

A is For Apocalypse

12 Sep

In case you missed it, A is for Apocalypse lives!

AisforApocalypse

 

Rhonda Parrish has put together a stunning collection, y’all. Just… Man. So happy to be a part of this. It’s the first in her ongoing collection of Alphabet Anthologies. I happened to get the letter “J” in this one, so my story is “J is for…”

Well, I don’t wanna give it away. Check it out, though! Vampire Apocalypse, for the win. And oh, there are many, many other types of post-apocalypse going on here, so if that puts you off, never fear. An unhappy ending (at least, for civilization, if not for the characters… necessarily) to suit anyone!

Amazon | Barnes & Noble | Smashwords| Goodreads | Hellnotes Review | Sequart Review

Next up? B is for Broken. Oh, you know I’m alllll over that.

A is for Apocalypse Cover Reveal

13 May

What do you get when you take twenty-six amazing writers, randomly assign them a letter of the alphabet and give them complete artistic freedom within a theme?

A is for Apocalypse

AisforApocalypse

Giveaway from editor and mad genius Rhonda Parrish:

I’m giving away three ARC copies of A is for Apocalypse (tour-wide). These are physical copies but I am willing to ship them to anywhere in the world. The Rafflecopter draw will run from May 12th to May 19th. On May 20th I will choose three winners and email them in order to get their shipping address. Anyone who doesn’t respond by May 27th will forfeit their prize and I will choose a new winner to receive it.

Enter here!

a Rafflecopter giveaway

Back in the day

6 Mar

Is there anything more groan-inducing than opening up an old manuscript and realizing just how terrible it is?

No, I take it back. It wasn’t terrible. I liked the story, I liked the characters, but oh my god, technically, what a hot mess. Five years–just five!–and the damage was just unbelievable.

Things at which I was more terrible than I am now, apparently, complete with ranty tumblr moments from me and various others on these subjects.

-Overwriting. Jumping Jesus on a pogo stick, how many actions does a character need to commit in one sentence? NO ONE IS PAYING ATTENTION AFTER THE FIRST ONE.

-Similarly: excessive description. Especially when you’ve already described them once. What the hell is this, Dickens? Move on, already! Delete. No one cares.

-Epithets. Okay honestly, I never used these a lot since I started submitting stuff; I’ve hated them for some time thanks to some very clever betas and fellow RPers. However, even titles can get just… bad. Even ‘the Secretary’ and ‘the Inquisitor’ are hard to follow after a while, man.

-Who the hell is talking? Okay, I still get accused of this a lot, but wow. Just. Wow.  Related: tags. Terrible, terrible tags. Hissing words, laughing words, snorting words.

No, Katey. Just. No. That is not a thing that happens.

-Looking. Looking at this, looking at that. Stop, okay, Katey? If you describe something we know the PoV character is LOOKING AT IT. Who else would be? Oh right!

-In a similar vein: filter words. “She felt” “he thought” “he knew” “he saw”… no shit, Sherlock, who did I think was feeling and seeing the crap I was describing? It’s tight third person limited PoV–there is only one possibility! (Assuming I wrote the PoV right. Which, well, at least I didn’t fuck that up!)

-Passivity. Passive voice can be used to such great effect, but I feel like shaking it off as a default has been pretty much the longest process of my entire writing life.

Now I look at this list and wonder, five more years down the road, what horrors will I find in my current works? Ah, it’s the fate of the writer to grow up in public a little bit, I suppose. Bless editors. Bless you all. And bless people who’ve hired me to edit between now and then, because thanks to you I have my little Elements of Style book memorized. And though many of its rules are outdated, it’s still the solid foundation it was back in the day!

Le sigh!

Please do not consider this a writing advice post, but do consider it me taking the piss out of myself. As an editor myself, these days, I find it necessary to reassure authors that I’m not just being mean and I TOTALLY understand where they’re coming from. Let this stand as proof. Because god, that only took a few days to edit up, but it felt like years.

J is for…

20 Feb

Those of you who know Rhonda Parrish from Niteblade may have seen a post from her a few months back about a project called A is for ApocalypseIt’s totally ingenious, and I’m not just saying that because I was lucky enough to land a spot on her roster for it. The deal is, 26 authors, each with a different, randomly assigned letter of the alphabet, and a post-apocalyptic theme.

Of course when I heard about it I flipped, because I haven’t done post-apocalyptic since Grants Pass, which I loved to pieces. However, the short I wrote for A is for Apocalypse is nothing like “Boudha”–it’s an epistolary supernatural horror short, “J is for…”

Well, I’ll leave that part for later. It involves monsters, though. Just–not the usual apocalypse-monsters.

The list of authors is really exciting–many that I’ve worked with  before, and many that I haven’t, and I’m excited about both! I found blog posts from Cory Cone, Samantha Kymmell-Harvey, Steve Bornstein, C.S. MacCath, and Simon Kewin (hi, Simon!) talking about their involvement in the project too, but no one is giving too much away. I guess the only one who knows what all our letters stand for is Rhonda, at the moment. Mysterious, isn’t it?

So now things are all settled and my story has met with editorial smiles (because let’s face it, when someone asks me to write a thing, I am always waiting for a NOT GOOD ENOUGH, because, well, writers are like that), I had to squee about this a little. So exciteddddddd!

More as the project progresses but yay!

Red Penny Moves

22 Jan

I’ve explained a lot of what’s going on with me lately, but I wanted to specifically explain stuff as it happens with The Red Penny Papers. Since sending out an email isn’t going to hit everyone who needs to know what’s going on there, I thought I’d put it here so it can be easily found. Basically I created RPP as a creative outlet–there was no magazine doing the kind of pulp I wanted to read, and I love editing as a creative process. People who’ve worked with me as an editor might have noticed–I get really into it. To the point of leaving over-enthusiastic comments on bits I really like.

I’m a generally super productive and self-motivated individual, so RPP me something to do that took me out of my own head and into others’ in my spare time. For two years everything was quite perfect with it.

About a year ago B and I discovered we’d have to move suddenly. We weren’t sure to where, but we had to get out and find a living, and asap. As soon as we were finally settled, that’s when the things with my family and health started going awry. A series of family tragedies and some interesting medications later, we’re about to move again–I detailed a lot of the drama in a post a few months back, so I won’t belabor the point or what it did to my own writing (which was: kill it). This time, though, we’re moving in the same town, somewhere permanent where we can finally settle into our life again.

Cue house-hunting taking over my life. Anyone who tells you this is a fun activity is on drugs. Seriously. I thought apartment shopping was soul-crushing. Oh, little did I know.

Maybe my point is becoming clear now. That meant bad things for RPP, since my partner-in-editing had similar issues at the exact same time. It’s impossible to publish a magazine when things are in flux like that, however. Not just financially–which has been a little bit of a concern just due to uncertainty, but not nearly as bad as it could’ve been–but from a time and effort standpoint, it wasn’t gonna happen. And having Thunderbird blow up on me didn’t help either. (I managed to migrate to Outlook after finally giving up and shelling out for a piece of software that could do it without requiring I open Thunderbird at all. Pray to your heathen gods for my computer, okay, because if that goes I’m even more screwed. Yay new iPad, at least?)

Once I know for sure that we’ve secured a place to live after our lease is up, I will be announcing a new publishing schedule for RPP, starting with a large book project we’ve been working on over the last year while in flux. (I thought that was gonna happen a few weeks ago… the deal fell through. And then another one fell through again this week, hence me just making this post instead of waiting any longer.) After that, my goal is to shift RPP’s balance more equally to serial novellas and short fiction issues. This is the reason we’ve not been able to accept anything for the last reading period yet–we’re not sure on the timing of anything. At all. And we can’t be until I know I have a place to live and can build our schedule around that, so as to keep things moving smoothly instead of these endless delays from 2013 carrying over.

So that’s my explanation–mind you, not an excuse. I also don’t want to sound like I’m complaining, because I am really loving being back in Columbus, and without the job/place to live upheaval, that wouldn’t have happened. The family things–well, that’s obviously crap, but it did push me to the point where I got some help for health problems I’ve been trying to ignore for literally a decade now. Things are really looking up around here, and I have absolutely no plan to abandon RPP or its writers and artists, who have been so patient and fantastic with me and the magazine this year. You totally deserve an explanation if you want it, so here it is.

And in closing, if you haven’t checked out Samatha Lienhard’s The Book at Dernier, I gotta recommend it. And the cover by Galen Dara. Wow. Expect more of this kind of classic, pulpy darkfic from us in the very near future.

The Lovely Lulu

16 Oct

How about a dark fantasy piece set in a 1920s speakeasy in Wheeling, West Virginia? Magicians and chanteuses! Smuggled hooch and fabulous champagne! Murder and captivity! Queer lady protagonist!

Any of this sound cool? Check out the latest issue of Goldfish Grimm, Secrets and Connections, and there you’ll find “The Lovely Lulu” by yours truly alongside a delightful (and I never use that word but there’s no other for it, seriously) flash piece by Antha Ann Adkins.

Free to read creepiness-and-jazz-age cocktail for all. Mmm. And thanks to the people at Goldfish Grimm being so fabulous to work with. So much fun.

(ETA: Forgot to mention, there’s even a little interview in which I mainly talk about being a nerd. Ha!)

In other news, I have a convention to attend this weekend, and then all shall get back in order around this house. Fingers crossed for me, and see you when I get back from Atlanta!

Try Me, Part 2

12 Apr

I really need to do a proper design update, but frankly I suck at that kind of thing. But now that we’re settled in Ohio (we’re baaaaack!) and actual work is getting done again, I at least managed to give the place a good clean-up and reorganization. I checked all the links from my short fiction page, I updated the non-fiction section, and I added a page especially for editorial projects. Phew.

In the process, I noticed that some of my older stories are no longer available online where they used to be, and since my rights are all reverted to me, I put them up here on the site. I also noticed my old introductory “try me” post was woefully outdated, so here’s a new version:

Try me, I’m free!

Hi! My name’s Katey, and I write dark things. I have a few novels out right now. One is a freaky modern Appalachian fairy story called Scripped, and another is part one in a vampire series called The Family, Liam. Coming soon, I’ll also have a dark historical novella about a clockwork confessor called Inedible Sins.

There are a lot of authors out there, and I feel lucky that you took a second to check me out. Before you buy any of those things I just listed up there, maybe you want to make sure my style suits you. I would, too! All of the short fiction listed as “online” here is free, but here are some quick links to make things simpler, since I have a bunch of different styles, depending on what you’re into.

Just a couple of freebies to mitigate some of the risk factor.

Thanks for stopping by, and hopefully I’ll see you again soon.

Radio Silence

3 Mar

Hello!

Right so here come those changes. Today is my anniversary with B (seven years and we’re both still alive!) and then tomorrow starts the great moving adventure of 2013. Really, the great moving adventure started a few weeks back, but this is go time. Therefore, I’m going to be a little bit silent–and all the things I want to do but have to wait for will be rattling around in my skull unhappily. You know how it goes!

While I’m gone, here’s some stuff to keep you:

… mmm can you tell I’m utterly scatterbrained right now? Because I totally am. Next time I talk to you, it’ll be from Ohio, my old home sweet home.